Novice teachers leaf through the textbook grammar contents: does it tick all the boxes? You don’t want to leave out that 3rd Conditional (heaven forbid).
More experienced teachers delve into the vocabulary pool trying to hit that perfect balance (not too little – not too much) that will keep their students occupied yet motivated.
My experience in the book business has taught me in more ways than one that grammar and vocabulary are essential, but they are usually not what makes a textbook successful. What matters most is not ‘what’ but ‘how’. Having that in mind, I advise the savvy teacher to try a different road.
The things I recommend looking for first are as follows:
1. Free space
Young students don’t read; they browse. That’s because they spend most of their time reading from screens, be it their TV, laptop, tablet or smartphone. So don’t expect them to focus on a text-rich page and read it from top to bottom. Because their eyes are going to wander. Empty spaces work like rest areas for the eyes. They help you focus on the good stuff.
No matter what the age of the target audience is, a modern textbook must have visuals. Outstanding visuals. Why, you may ask. Because Apple does. And Sony. And Disney. And Pixar. Because that’s who you are competing against when you are fighting for your students’ attention. Consider also the increasing number of students with learning difficulties such as dyslexia. Images break up the text and make it more readable. Students with dyslexia, who may struggle with reading, they often excel in visual thinking.
3. Age-appropriate material
Take a look at the people in the photos in the book. Do they look like your students? Could they be in your class? What about the topics? Are the meanings easy to grasp? Would they make your students want to read on? And finally, the fonts. Are they the same size as your students’ handwriting? If the answer to all questions above is yes, then the textbook is just right for your students’ age.
4. Well-balanced textbook design
There is nothing more off-putting to students and teachers alike than a cluttered page. It shows that the author tried to cram everything into a tiny space because they had no clue what to prioritize. And this is a huge red flag. When in doubt, go for the simplest form. Look for books with a clear and consistent unit structure. Count the number of font types used in a single page: one or two is ideal, three or more and it gets tiring. The same goes for columns: a single text column is most pleasing to the eye, two or more should better be left to newspapers. Final point: activities that start in one page and run over to the next are completely out of the question.
Everybody loves a good story. But it needs to be well-written. In other words, it must have a setting, characters, a plot, a climax, and a resolution. In ten years’ time your students won’t remember the title of the textbook, but they will remember the names of the main characters. Hopefully.
In conclusion, textbook evaluation is a lengthy process. The above is just a quick and easy way aiming to take some of the weight off the shoulders of busy teachers. Part II will give you five more points, especially for those who can afford the time and energy to dig a bit deeper.